Staying Open: Charles Olson’s Sources and Influences
Joshua S. Hoeynck (Ed.)
Acknowledgements
Introduction
Chapter 1 Projective Verse and pedagogy
Michael Kindellan
Chapter 2 Olson’s poetics and pedagogy: influences at Black Mountain College
Jeff Gardiner
Chapter 3 Olson’s Dérive, near-far Boulez
Michael Jonik
Chapter 4 “By ear, he sd.”: open listening with Charles Olson and John Cage
Alexander Ruggeri
Chapter 5 “Mu-sick, mu-sick, mu-sick”: Olson’s stammer and the poetics of noise
Seth Johnson Forrest
Chapter 6 Shadow on the rock: morphology and voice in Olson’s later Maximus poems
Jeff Davis
Chapter 7 Charles Olson and his “post-modern” exploration
Joshua Gardner
Chapter 8 “what insides are”: history—gravitational and unrelieved
Kirsty Singer
Chapter 9 Revising the stance of “Projective Verse”: Charles Olson’s ecological vision of Alfred North Whitehead’s cosmology
Joshua Hoeynck
Chapter 10 Olson, Peirce, Whitehead, and American process poetics
Daniel D. Fineman
Chapter 11 Maximus and Aboriginal Australia: antipodean influences on the archaic proprioceptive epic
Nathanael Pree
Chapter 12 An Archaeologist of Morning in the Mayab, 1951
Dylan Clark
Coda
Index







Tom Cheetham is the author of five books on the imagination in religion, psychology, the arts and sciences, and one book of poems. He is a Fellow of the Temenos Academy in London, and was Adjunct Professor of Human Ecology at the College of the Atlantic, and Associate Professor of Biology and Environmental Studies at Wilson College. He teaches and lectures in the US and Europe. He and his wife live on a homestead in rural Maine. They have two grown children.