Here is the entire piece which I had earlier posted in excerpts. This is a scanned copy direct from the VORT Issue. George Quasha wrote to me that the piece is certainly not an "interview" but rather should be referred to "as a dialogue or more particularly as an act of dialogical criticism in alignment with the ta'wil project itself. It was laboriously edited and shaped as a particular critical act that was an embodiment of its own principle -- and in that respect it is a work that we created together, with its foundations in Olson and Duncan as well as Corbin, and moving to a new approach to engaging these issues; therefore an act of poetics. It's obviously indebted to RK but not in the sense that an "interview" implies. I don't know other things that have this co-performative poetics so much in evidence. In fact, it's the real beginning (and we did a number of these dialogues with poets, called DiaLogos at the time, including Ted Enslin and Jonathan Williams) of the long process of co-performative and dialogical work that Chuck and I have continued and which is expressed in An Art of Limina. In making this distinction I'm not carping but speaking to the heart of a long-developing and intricate project. In the present context of poetics the special qualities of our approach to the co-performative are easily missed and obscured or simply not noticed. That's why we hope to preserve certain distinctions when the opportunity arises."
UPDATE 2/24/2010: George Quasha now has this posted in a much better version. See his post Ta'wil or How to Read.
"Ta'wil or How to Read" - VORT 5 Vol 2 #2 The Robert Kelly Issue 1974
Woodcut: Michael Maier - Atalanta Fugiens, Emblem XXXVI
Thanks for putting this up. I like the idea that people should start reading what has already been written, and that the act of understanding is itself poetic. As a sort of syncretist Muslim and American poet, I loved the poem extracts in this article. See also MJ Adler's How to Read a Book.
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