"...the Imagination (or love, or sympathy, or any other sentiment) induces knowledge, and knowledge of an 'object' which is proper to it..."
Henry Corbin (1903-1978) was a scholar, philosopher and theologian. He was a champion of the transformative power of the Imagination and of the transcendent reality of the individual in a world threatened by totalitarianisms of all kinds. One of the 20th century’s most prolific scholars of Islamic mysticism, Corbin was Professor of Islam & Islamic Philosophy at the Sorbonne in Paris and at the University of Teheran. He was a major figure at the Eranos Conferences in Switzerland. He introduced the concept of the mundus imaginalis into contemporary thought. His work has provided a foundation for archetypal psychology as developed by James Hillman and influenced countless poets and artists worldwide. But Corbin’s central project was to provide a framework for understanding the unity of the religions of the Book: Judaism, Christianity and Islam. His great work Alone with the Alone: Creative Imagination in the Sufism of Ibn ‘Arabi is a classic initiatory text of visionary spirituality that transcends the tragic divisions among the three great monotheisms. Corbin’s life was devoted to the struggle to free the religious imagination from fundamentalisms of every kind. His work marks a watershed in our understanding of the religions of the West and makes a profound contribution to the study of the place of the imagination in human life.Search The Legacy of Henry Corbin: Over 800 Posts
Monday, March 29, 2010
Music of Central Asia
The Music of Central Asia
Smithsonian Folkways Recordings, in collaboration with the Aga Khan Music Initiative (a program of the Aga Khan Trust for Culture), is producing a 10-CD/DVD set documenting the music of Central Asia.
Volumes 1-9 of the Music of Central Asia series are currently available for purchase. This ground-breaking, newly recorded, and GRAMMY-nominated series presents authentic musical traditions of Central Asia as they are performed today, featuring some of the region's most outstanding artists. From the nomadic and bardic cultures of the steppes to the classical court traditions of the cities, this series celebrates musicians who display a mastery of older traditions and also embody a contemporary spirit of innovation. Produced in conjunction with the Aga Khan Music Initiative, each release includes an extensive color booklet and comes with a vivid bonus DVD containing a series introduction, ~24-minute film, interactive glossary and map.
(Thanks to Ron Silliman for alerting his blog readers to this.)
The minaret of Jam, Western Afghanistan.
Smithsonian Folkways Recordings, in collaboration with the Aga Khan Music Initiative (a program of the Aga Khan Trust for Culture), is producing a 10-CD/DVD set documenting the music of Central Asia.
Volumes 1-9 of the Music of Central Asia series are currently available for purchase. This ground-breaking, newly recorded, and GRAMMY-nominated series presents authentic musical traditions of Central Asia as they are performed today, featuring some of the region's most outstanding artists. From the nomadic and bardic cultures of the steppes to the classical court traditions of the cities, this series celebrates musicians who display a mastery of older traditions and also embody a contemporary spirit of innovation. Produced in conjunction with the Aga Khan Music Initiative, each release includes an extensive color booklet and comes with a vivid bonus DVD containing a series introduction, ~24-minute film, interactive glossary and map.
(Thanks to Ron Silliman for alerting his blog readers to this.)
The minaret of Jam, Western Afghanistan.
Saturday, March 27, 2010
Between Critical Rationalism and Eastern Wisdom
I noted this piece by Alessandro Topa last year but it has come to my attention again, having been cited in the German press along with links to this blog. See Between Critical Rationalism and Eastern Wisdom.
Friday, March 26, 2010
Eranos Foundation Special Publications
Adolf PORTMANN, Rudolf RITSEMA, and Henry CORBIN
Eranos and its Meaning
Tipo Offset Bettini, Ascona 1978
This and other volumes of interest with contributions by Corbin are listed at the Eranos Foundation website.
Eranos and its Meaning
Tipo Offset Bettini, Ascona 1978
This and other volumes of interest with contributions by Corbin are listed at the Eranos Foundation website.
Friday, March 19, 2010
Wednesday, March 17, 2010
Chances are I won't be posting much to this blog for a while. I'll be busy in the next weeks preparing for the program in New York on May 7th (Register here: New York Open Center). That talk, announced as "Poetry & Prayer as Spiritual Practice - In Search of the Lost Speech" is still "under development" and currently has as a working title "In Search of the Lost Speech: Nostalgia, Eros and the Angel Out Ahead."
I've also written a pair of essays on Corbin and ta'wil that will appear in consecutive issues of Sacred Web - #25 (Summer 2010) & #26 (Fall 2010). The current title is Coming Into the World: Henry Corbin & the Exegesis of the Soul. Part I - Cyclical Time and Part II - The Visionary Recital. I'll post notices when they are published.
I expect to turn the NY Open Center talk and developments of the Sacred Web pieces into lectures to be delivered in London this October for the Temenos Academy. The dates and details are not finalized yet but should be in the next few weeks.
In the meanwhile I'll post anything of interest that comes to my attention - & would hope that those with relevant items will contact me.
Monday, March 15, 2010
Pierre Lory
From l’Institut français du Proche-Orient:
Pierre Lory a d’abord étudié la langue et la littérature arabes à l’Institut National des Langues et Civilisations Orientales puis à l’Université Paris III jusqu’à l’agrégation (1977). Sa formation fut complétée par deux stages linguistiques à Beyrouth (1973/74) puis à Damas (1975/76). L’option vers l’islamologie et la mystique a eu lieu sous la direction de Roger Arnaldez (maîtrise sur l’exégèse mystique du Coran, 1976) puis avec l’appui de Henry Corbin (bourse pour l’Iran, 1978/79, pour une thèse sur l’alchimie en Islam). Depuis sa nomination comme maître de conférence à l’Université Bordeaux III (1981), et puis comme directeur d’études à l’Ecole Pratique des Hautes Etudes (1991), il a poursuivi des recherches sur la mystique et l’ésotérisme en Islam, mais sans jamais renoncer à des travaux d’ordre plus général. Chaque année, il effectue au moins un séjour à but scientifique (et généralement plus) dans un pays du Proche Orient et / ou de l’Afrique du Nord. Il est actuellement directeur du département des études arabes, médiévales et modernes à l’Institut français du Proche-Orient (Damas).
Pierre Lory at the Sorbonne here.
Jean-Michel Hirt discusses Lory's Le rêve et ses interprétations en Islam in "To Believe or To Interpret" in the Islam and Psychoanalysis issue of "S" (Vol 2: 2009).
Selected Publications (from the IFPO website):
1989, 2003, Alchimie et mystique en terre d’Islam, Lagrasse, Verdier, Collection « Islam spirituel », 1989 ; réédité aux éditions Gallimard, folio/essais, 2003. Traduction en espagnol par Gracia Lopez Anguita, Alquimia y mística en el Islam, Madrid, Mandala Ediciones, 2005.
- L'alchimie est rarement étudiée pour ce qu'elle est : une recherche spirituelle, bien plus que la quête impossible de secrets naturels. Pierre Lory étudie avec minutie les procédures des alchimistes musulmans, qui ont su lier harmonieusement la science grecque, la métaphysique, la numérologie mystique et la cabale des lettres. A partir du corpus alchimique de Jâbir ibn Hayyân, le lecteur est invité à découvrir l'exégèse, qui fait correspondre les divers degrés des mondes matériels et divins ; l'influence décisive du chiisme sur l'ésotérisme alchimique dont le but est de faire naître le corps mystique de celui qui le pratique ; les calculs, enfin, et les opérations concrètes : rapport numérique et interprétation de l'alphabet arabe font de la cabale islamique un savoir comparable, par bien des aspects, à la cabale juive. A rebours des livres où l'alchimie n'est qu'un prétexte, voici enfin un ouvrage qui nous montre en détail ce que celle-ci est effectivement.
- 2003, Le rêve et ses interprétations en Islam, Paris, Albin Michel, collection Science des religions, 2003. Traduction en arabe Ta‘bîr al-ru’yâ fî al-Islâm, par Dalyâ al-Tûkhî, Le Caire, al-Hay’a al-Misryya al-‘Âmma li-al-Kitâb, 2007.
- Depuis la mort du prophète Muhammad en 632, la prophétie est achevée. Rien ne peut être ajouté ou modifié, si ce n'est le rêve. Car le rêve est un moyen d'accès aux messages divins, à la Table gardée où se trouve consigné tout ce que Dieu a décidé pour les créatures depuis les origines jusqu'à la fin des temps. Telle est la vision dérivée de l'enseignement du Prophète et d'une certaine lecture du Coran, qui constitue lui-même une partie du grand Livre divin. Dès lors, le songe devient la source d'une révélation permanente de la société musulmane, et tout croyant qui rêve peut entrer en contact et être revivifié par cette source divine inépuisable.
La fonction religieuse du rêve a été reconnue, les rêves ont été répertoriés selon leur nature, et les théologiens on tenté de faire cadrer la réalité de ces rêves avec les lois religieuses. En s'appuyant sur les grands textes de la littérature onirocritique musulmane, Pierre Lory met en lumière la remarquable homogénéité des diverses clés des songes issues des traditions de l'Antiquité et de l'islam. Une attention particulière est accordée aux milieux mystiques soufis où le rêve est considéré comme un événement initiatique, un instant d'éveil au divin.
La postface du psychanalyste Jean-Michel Hirt apporte un éclairage précieux à cette tradition religieuse singulière très structurée qui fait de l'état inconscient du sommeil une voie d'accès privilégiée à l'au-delà.
- 2004, La science des lettres en islam, Paris, Dervy, Esprit de Lettre, 2004. Traduction en arabe par Dâliâ al-Tûkhî,‘Ilm al-hurûf fî al-Islâm, Le Caire, Al-hay’a al-misriyya al-‘âmma li-al-kitâb, 2006.
La science des lettres de l'alphabet arabe constitue un des aspects centraux de la spiritualité islamique. Le terme al-sîmiyâ, " science opérative des lettres " est à rapprocher d'al-kîmiyâ, l'alchimie. C'est dire que la sîmiyâ a été, dès le départ, perçue comme une science de la transmutation de la parole, comme l'alchimie était celle de la transmutation matérielle. Son étude a été négligée jusqu'à nos jours, plus encore que celle de l'alchimie, par les savants musulmans comme par les orientalistes, du fait notamment de l'étroitesse de ses liens avec certaines pratiques magiques. Pourtant, elle constitue une voie d'approche essentielle pour les courants mystiques dans les sociétés islamiques, de langue arabe, turque ou persane. La science des lettres se veut opérative. La transformation visée par elle est efficiente, réelle : si tout est langage, la parole peut réellement devenir transformatrice. Pour les musulmans, " Dieu s'est fait livre " ; le Coran est une présence divine parmi les hommes, et ce seul point suffirait à expliquer l'éclosion de la science des lettres. Pour les exégètes musulmans, l'univers entier est signe, est un " livre ". Le Coran est la voie de la Connaissance, mais son rôle est aussi de mener le croyant vers l'exégèse du Livre de la Création-message total - et non pas de la limiter aux seuls 6226 versets qui le composent. La science des lettres est la clef de la Connaissance.
Recension par Ève Feuillebois-Piérunek, Abstracta iranica, 27, 2007.
- 2005, 2008, Min ta’rîkh al-hirmisiyya wa-al-sûfiyya fî al-Islâm (De l’histoire de l’hermétisme et du soufisme en Islam), traduit par Lwiis Saliba, Jbeil, Editions Byblion, 2005 ; 2e édition revue et augmentée, 2008.
- 2007, Petite histoire de l’islam, avec Mohammad Ali Amir-Moezzi, Flammarion, Librio, 2007, réédité par le Nouvel Observateur en 2008.
Qu'est-ce que le sunnisme ? Et le chiisme ? Comment est composé le Coran ? Qu'est-ce qu'un imam ? La deuxième religion de France reste largement méconnue et fait souvent l'objet de jugements hâtifs et péremptoires. Pourtant, les valeurs culturelles et civilisationnelles de cet islam transcontinental sont bien loin des préjugés largement relayés dans les médias. De la naissance du prophète Muhammad au « télécoraniste » 'Amr Khaled, cet ouvrage clair et accessible revient sur les origines et sur l'histoire de l'islam, jusqu'à ses expressions contemporaines.
Thursday, March 11, 2010
Red Book (again)
Some readers of this blog will be interested to know of the Facebook page devoted to Jung's Red Book - HERE.
Tuesday, March 9, 2010
Islam & Psychoanalysis #2
"S" The Journal of the Jan van Eyck Circle for Lacanian Ideology Critique publishes peer-reviewed essays on Lacanian and related topics from the fields of art, film and literary criticism, political, philosophical and ideological critique. With permission, S also re-publishes hard to obtain essays and translations from seminal thinkers in Lacanian studies whose work deserves the worldwide dissemination open access publishing affords. Based at the Jan van Eyck Academy.
Volume 2 (2009) Islam & Psychoanalysis with an Introduction by Sigi Jöttkandt and Joan Copjec and including an article by Christian Jambet, Four Discourses on Authority in Islam. This is all really quite amazing material and readers should look into each of these essays (all available online).
Volume 2 (2009) Islam & Psychoanalysis with an Introduction by Sigi Jöttkandt and Joan Copjec and including an article by Christian Jambet, Four Discourses on Authority in Islam. This is all really quite amazing material and readers should look into each of these essays (all available online).
Monday, March 8, 2010
In Memorium - Michael Marmura (1929-2009)
Here is a recently published memoriam in Arabic Sciences and Philosophy dedicated to the late, great, scholar of Islamic philosophy and theology, Professor Michael E. Marmura (1929-2009). The piece consists of an obituary, as well as a complete bibliography of his works (books, translations, edited volumes, and articles). The bibliography, compiled by Professor Thérèse-Anne Druart, will be useful for people working on various aspects of medieval Islam.
Qur'an - Title Page - Mamluk - Egypt. Freer & Sackler Galleries
In Memoriam, Michael E. Marmura (1929-2009)
Qur'an - Title Page - Mamluk - Egypt. Freer & Sackler Galleries
In Memoriam, Michael E. Marmura (1929-2009)
Saturday, March 6, 2010
On Avicenna's Stories
"Avicenna's Philosophical Stories: Aristotle's Poetics Reinterpreted," by Sarah Stroumsa. Arabica, Vol. 39, Fasc. 2 (July, 1992), pp. 183-206.
The author is not unsympathetic to Corbin's claims but she provides an alternative interpretation, while taking the stories place within Avicenna's corpus seriously, unlike some other scholars.
Pattern from Madrassa - Bukhara.
Stroumsa - Avicenna's Stories
The author is not unsympathetic to Corbin's claims but she provides an alternative interpretation, while taking the stories place within Avicenna's corpus seriously, unlike some other scholars.
Pattern from Madrassa - Bukhara.
Stroumsa - Avicenna's Stories
Thursday, March 4, 2010
Angels in Architecture?
"A New Angel/Angle in Architectural Research: The Ideas of Demonstration," by Marco Frascari. Journal of Architectural Education, Vol. 44, No. 1 (Nov., 1990), pp. 11-19.
Frascari puts Corbin's imaginal world to new uses in this most interesting essay.
New Angel/Angle in Architectural Research
Frascari puts Corbin's imaginal world to new uses in this most interesting essay.
New Angel/Angle in Architectural Research
Tuesday, March 2, 2010
The Necessary Angel - Massimo Cacciari
I actually can't believe I haven't done a post about this book. It seems to have disappeared for a time from the chaos of my shelves, and I haven't read it in years, but still I can recommend it with enthusiasm. Cacciari is a very interesting person - he is currently Mayor of Venice.
The Necessary Angel by Massimo Cacciari. SUNY Press, 1994.
Summary from the Publisher
"Cacciari tells a story. It is the story of the history of angels in Judaic, Islamic, and Christian traditions; and it continues as an amplification of the metaphor of angels in such writers as Dante, Rilke, Kafka, Benjamin, Klee, and Marc in order to speak about the phenomenology of language. Cacciari talks about angels in order to describe the contradictory nature of linguistic signs (absolute freedom and absolute determination). The greatest importance of this book is its 'poetic' approach to phenomenology and the genre of philosophical writing." -- Beverly Allen
"Massimo Cacciari's book The Necessary Angel is both an extremely erudite elucidation of angelology that discusses philosophy, religion, literature, music and painting; and a philosophical focus on the figure of the Angel as 'suspended between all the axes of creation.'" -- Alexander Garcia Duttmann
"Cacciari's unpredictable approaches to the literary, philosophical, and artistic tradition that frames our present intellectual situation, particularly the one that takes shape in the Germanic world of the early twentieth century, are always penetrating and at times even dazzling. This book is an astounding tour de force, eclectic to be sure, but compelling in its defining the contours of that 'angelic' apriori, which is both beyond the human yet intimately inherent in the human--an apriori which discloses the world in its indeterminate, finite transcendence and which makes of the human a locus of intermediary meaning whose ultimate terms are ungraspable, unsayable, and enigmatic. It offers a new figure, an original vocabulary, a fresh network of references, for the intellectual issues that concern so many of us: nihilism, post-modernism, the conditions of intelligibility, and the status of language." -- Robert Harrison
The Necessary Angel by Massimo Cacciari. SUNY Press, 1994.
Summary from the Publisher
"Cacciari tells a story. It is the story of the history of angels in Judaic, Islamic, and Christian traditions; and it continues as an amplification of the metaphor of angels in such writers as Dante, Rilke, Kafka, Benjamin, Klee, and Marc in order to speak about the phenomenology of language. Cacciari talks about angels in order to describe the contradictory nature of linguistic signs (absolute freedom and absolute determination). The greatest importance of this book is its 'poetic' approach to phenomenology and the genre of philosophical writing." -- Beverly Allen
"Massimo Cacciari's book The Necessary Angel is both an extremely erudite elucidation of angelology that discusses philosophy, religion, literature, music and painting; and a philosophical focus on the figure of the Angel as 'suspended between all the axes of creation.'" -- Alexander Garcia Duttmann
"Cacciari's unpredictable approaches to the literary, philosophical, and artistic tradition that frames our present intellectual situation, particularly the one that takes shape in the Germanic world of the early twentieth century, are always penetrating and at times even dazzling. This book is an astounding tour de force, eclectic to be sure, but compelling in its defining the contours of that 'angelic' apriori, which is both beyond the human yet intimately inherent in the human--an apriori which discloses the world in its indeterminate, finite transcendence and which makes of the human a locus of intermediary meaning whose ultimate terms are ungraspable, unsayable, and enigmatic. It offers a new figure, an original vocabulary, a fresh network of references, for the intellectual issues that concern so many of us: nihilism, post-modernism, the conditions of intelligibility, and the status of language." -- Robert Harrison
Monday, March 1, 2010
Jack Foley on “Hamlet, Keats, and La Conscience de Soi”
This piece is from Jerome Rothenberg's superb and always interesting blog Poems & Poetics. I think that this discussion of "interiority," self-hood, and the functions of poetry is of particular relevance to the study of issues of central concern to Henry Corbin.
Reconfiguring Romanticism (37): Jack Foley on “Hamlet, Keats, and La Conscience de Soi”
Rothenberg writes that this essay "is the prequel to an eight-part series on Poems for the Millennium, volume 3, prepared by Jack Foley for presentation on Cover to Cover, his longrunning program on KPFA-FM (Pacifica Radio) in San Francisco. The full list of readers includes Bill Berkson, e.e. cummings, Diane Di Prima, Jack & Adelle Foley, Katherine Hastings, Michael McClure, Michael Palmer, Jeffrey Robinson, Jerome Rothenberg, Leslie Scalapino, Alfred Lord Tennyson, and Walt Whiman. Show times are consecutive Wednesdays from 3:00 to 3:30 p.m. beginning on April 14, for which a detailed listing of program contents will be presented here at a later date.
Foley writes, "I agree with Paul de Man (a mentor of mine at Cornell) that “What sets out as a claim to overcome Romanticism often turns out to be merely an expansion of our understanding of the movement” and that Modernism—despite its frequent explicit rejection of Romanticism—is in fact a thorough-going example of it. In general Romanticism marks the shift from thinking of poetry as a “craft” (and of the poet as “maker”) to thinking of it as a provoker of consciousness, even a creator of consciousness."
John Keats - Life Mask. from Joanna Kane's astonishing book The Somnambulists
Reconfiguring Romanticism (37): Jack Foley on “Hamlet, Keats, and La Conscience de Soi”
Rothenberg writes that this essay "is the prequel to an eight-part series on Poems for the Millennium, volume 3, prepared by Jack Foley for presentation on Cover to Cover, his longrunning program on KPFA-FM (Pacifica Radio) in San Francisco. The full list of readers includes Bill Berkson, e.e. cummings, Diane Di Prima, Jack & Adelle Foley, Katherine Hastings, Michael McClure, Michael Palmer, Jeffrey Robinson, Jerome Rothenberg, Leslie Scalapino, Alfred Lord Tennyson, and Walt Whiman. Show times are consecutive Wednesdays from 3:00 to 3:30 p.m. beginning on April 14, for which a detailed listing of program contents will be presented here at a later date.
Foley writes, "I agree with Paul de Man (a mentor of mine at Cornell) that “What sets out as a claim to overcome Romanticism often turns out to be merely an expansion of our understanding of the movement” and that Modernism—despite its frequent explicit rejection of Romanticism—is in fact a thorough-going example of it. In general Romanticism marks the shift from thinking of poetry as a “craft” (and of the poet as “maker”) to thinking of it as a provoker of consciousness, even a creator of consciousness."
John Keats - Life Mask. from Joanna Kane's astonishing book The Somnambulists
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