I have mentioned several times that Robert Duncan was one of the major American poets to draw on Corbin's work. This essay from Jerome Rothenberg's blog Michael Palmer on “Robert Duncan and Romantic Synthesis" will be of interest. (Also see Eric Mottram's essay on Ta'wil and American Poetry.)
[From article originally appeared in the Spring 1997 issue of American Poet, the biannual journal of The Academy of American Poets. Copyright © 1997 by Michael Palmer.]
An excerpt:
Robert Duncan grew up, the adopted son of a theosophical family, in the town of Bakersfield, California. As Michael Davidson has noted in his book, The San Francisco Renaissance, the interpretive methods of theosophical reading of both text and world deeply influenced the poet's sense of the ways meanings inhere and things correspond:
"This charged, participatory act of reading gains definition through contemporary theories of 'open field verse,' to be sure, but for Duncan its origins can be found in the theosophical tradition that he inherited from his adopted family. For his parents, 'the truth of things was esoteric (locked inside) or occult (masked by) the apparent . . . .' Within this environment every event was significant as an element in a larger, cosmological scheme. Although Duncan has never practised within any theosophical religion, he has easily translated its terms into works like Freud's Interpretation of Dreams. . . . Within both theosophical and Freudian hermeneutics, story is not simply a diversion or fiction, but an 'everlasting omen of what is.'"
(from The San Francisco Renaissance, p.132) READ THE ENTIRE ESSAY
Great post. Thanks for sharing.
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