the Spiritual Exegesis of Color in Sufism in the Works of Henry Corbin
by
Samir Mahmoud
Samir Mahmoud
This paper is an attempt to elucidate one aspect of the phenomenology of color in Islam, namely that found in the works of some mystics. To achieve this it will draw on various mystical commentaries on those Quranic verses that explicitly refer to color. Particular reference will be made to the Sufi commentaries. It will then explore how some of these verses and the nature of color were discussed by Sufis like Najumddin Kubra and `Alludawlah Simnani in their phenomenology of colors. Particular attention will be paid to Henry Corbin’s groundbreaking work on these authors in his The Man of Light in Iranian Sufism and other essays where he elucidates the supra-sensory modes of perception associated with mystic perception and where he explores parallels between these Sufis and Goethe’s Farbenlehre. Some of the questions that will be asked are: What are the implications of these theories of color photisms on our scientific theories of light and color? What can they reveal about the nature of reality? Can the theories of the Sufis on color symbolism as revealing the various states of the mystic quest reveal anything about color in Islamic art? It is not our intention to resolve the problem in this paper but to contribute to the debate. The paper is intended as an introduction to the topic and will rehearse many of the arguments put forward by Henry Corbin with the intention of placing his work on color theory back in the limelight after years of neglect.
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