"...the Imagination (or love, or sympathy, or any other sentiment) induces knowledge, and knowledge of an 'object' which is proper to it..."
Henry Corbin (1903-1978) was a scholar, philosopher and theologian. He was a champion of the transformative power of the Imagination and of the transcendent reality of the individual in a world threatened by totalitarianisms of all kinds. One of the 20th century’s most prolific scholars of Islamic mysticism, Corbin was Professor of Islam & Islamic Philosophy at the Sorbonne in Paris and at the University of Teheran. He was a major figure at the Eranos Conferences in Switzerland. He introduced the concept of the mundus imaginalis into contemporary thought. His work has provided a foundation for archetypal psychology as developed by James Hillman and influenced countless poets and artists worldwide. But Corbin’s central project was to provide a framework for understanding the unity of the religions of the Book: Judaism, Christianity and Islam. His great work Alone with the Alone: Creative Imagination in the Sufism of Ibn ‘Arabi is a classic initiatory text of visionary spirituality that transcends the tragic divisions among the three great monotheisms. Corbin’s life was devoted to the struggle to free the religious imagination from fundamentalisms of every kind. His work marks a watershed in our understanding of the religions of the West and makes a profound contribution to the study of the place of the imagination in human life.

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Friday, April 20, 2018

Every Sufi master is, in a sense, a Freudian psychotherapist







University of California, Davis. 
Her latest book is 
The Arabic Freud: Psychoanalysis and Islam in Modern Egypt


Even in the most revolutionary thinkers, you will find the uncannily familiar. Sigmund Freud was no exception. Arabs recognised in Freud’s body of thought ideas from classical Islamic thinkers. In the 1940s and ’50s, when intellectuals translated Freud’s work into Arabic, they reached out to Ibn Arabi, the great 12th-13th-century Sufi mystic philosopher. The Egyptian playwright and novelist Tawfiq al-Hakim dates the impulse to blend traditions as far back as Alexander’s conquest of Syria and the eventual translation of philosophical works from Greek to Syriac. 

Under Roman rule, Egypt was a centre of learning and part of a shared classical intellectual world, which included Alexandria as much as it did Athens and Rome. Subsequently, Greek philosophy, and particularly the works of Plato and Aristotle, had been energetically translated into Arabic throughout the early Islamic period, contributing to the vitality of Hellenic philosophy. For al-Hakim, Greek ideas were poured into the mould of Islamic philosophy. This process was also evident in al-Hakim’s own work combining Greek tragedy and Islamic legends, in order to effect what he called an ‘intermarriage between two literatures and two mentalities’. It is not at all surprising, then, given this tendency to draw on shared traditions, that Arab intellectuals turned to a mystical Islamic vocabulary when translating Freud in the middle of the 20th century.


This includes the nice detail that Lacan knew of Ibn 'Arabi through reading Corbin.





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