Staying Open: Charles Olson’s Sources and Influences
Joshua S. Hoeynck (Ed.)
Acknowledgements
Introduction
Chapter 1 Projective Verse and pedagogy
Michael Kindellan
Chapter 2 Olson’s poetics and pedagogy: influences at Black Mountain College
Jeff Gardiner
Chapter 3 Olson’s Dérive, near-far Boulez
Michael Jonik
Chapter 4 “By ear, he sd.”: open listening with Charles Olson and John Cage
Alexander Ruggeri
Chapter 5 “Mu-sick, mu-sick, mu-sick”: Olson’s stammer and the poetics of noise
Seth Johnson Forrest
Chapter 6 Shadow on the rock: morphology and voice in Olson’s later Maximus poems
Jeff Davis
Chapter 7 Charles Olson and his “post-modern” exploration
Joshua Gardner
Chapter 8 “what insides are”: history—gravitational and unrelieved
Kirsty Singer
Chapter 9 Revising the stance of “Projective Verse”: Charles Olson’s ecological vision of Alfred North Whitehead’s cosmology
Joshua Hoeynck
Chapter 10 Olson, Peirce, Whitehead, and American process poetics
Daniel D. Fineman
Chapter 11 Maximus and Aboriginal Australia: antipodean influences on the archaic proprioceptive epic
Nathanael Pree
Chapter 12 An Archaeologist of Morning in the Mayab, 1951
Dylan Clark
Coda
Index