Trifecta! Corbin / Twombly / Olson

Staying Open: Charles Olson’s Sources and Influences

Joshua S. Hoeynck (Ed.)

by Kirsty Singer (University of California: Irvine), Michael Jonik (University of Sussex), Seth Johnson Forrest (Coppin State University, USA), Joshua S. Hoeynck (Case Western Reserve University), Alexander Ruggeri (Tufts University), Daniel D. Fineman (Occidental College, USA), Joshua Gardner (University of North Carolina, Asheville), Michael Kindellan (University of Sheffield ), Jeffrey Gardiner, Nathanael Pree (The University of Sydney), Dylan J. Clark (University of North Carolina, Chapel Hill), Jeff Davis

Acknowledgements
Introduction

Chapter 1 Projective Verse and pedagogy
Michael Kindellan

Chapter 2 Olson’s poetics and pedagogy: influences at Black Mountain College
Jeff Gardiner

Chapter 3 Olson’s Dérive, near-far Boulez
Michael Jonik

Chapter 4 “By ear, he sd.”: open listening with Charles Olson and John Cage
Alexander Ruggeri

Chapter 5 “Mu-sick, mu-sick, mu-sick”: Olson’s stammer and the poetics of noise
Seth Johnson Forrest

Chapter 6 Shadow on the rock: morphology and voice in Olson’s later Maximus poems
Jeff Davis

Chapter 7 Charles Olson and his “post-modern” exploration
Joshua Gardner

Chapter 8 “what insides are”: history—gravitational and unrelieved
Kirsty Singer

Chapter 9 Revising the stance of “Projective Verse”: Charles Olson’s ecological vision of Alfred North Whitehead’s cosmology
Joshua Hoeynck

Chapter 10 Olson, Peirce, Whitehead, and American process poetics
Daniel D. Fineman

Chapter 11 Maximus and Aboriginal Australia: antipodean influences on the archaic proprioceptive epic
Nathanael Pree

Chapter 12 An Archaeologist of Morning in the Mayab, 1951
Dylan Clark

Coda
Index