"...the Imagination (or love, or sympathy, or any other sentiment) induces knowledge, and knowledge of an 'object' which is proper to it..."
Henry Corbin (1903-1978) was a scholar, philosopher and theologian. He was a champion of the transformative power of the Imagination and of the transcendent reality of the individual in a world threatened by totalitarianisms of all kinds. One of the 20th century’s most prolific scholars of Islamic mysticism, Corbin was Professor of Islam & Islamic Philosophy at the Sorbonne in Paris and at the University of Teheran. He was a major figure at the Eranos Conferences in Switzerland. He introduced the concept of the mundus imaginalis into contemporary thought. His work has provided a foundation for archetypal psychology as developed by James Hillman and influenced countless poets and artists worldwide. But Corbin’s central project was to provide a framework for understanding the unity of the religions of the Book: Judaism, Christianity and Islam. His great work Alone with the Alone: Creative Imagination in the Sufism of Ibn ‘Arabi is a classic initiatory text of visionary spirituality that transcends the tragic divisions among the three great monotheisms. Corbin’s life was devoted to the struggle to free the religious imagination from fundamentalisms of every kind. His work marks a watershed in our understanding of the religions of the West and makes a profound contribution to the study of the place of the imagination in human life.

Search The Legacy of Henry Corbin: Over 800 Posts

Tuesday, December 19, 2017

Arabic MSS ex libris Henry Corbin at the Bibliotheque Nationale of Paris

Corbin's Arabic library has been photographed and the texts can be read online or are available for download. Amazing resource.


Thanks to
N. Wahid Azal
for the information.

Wednesday, December 13, 2017

Traces of Henry Corbin

The mysticism and influences of Sufi culture in Pakistan and India 
hold a fascination for French scholar Michel Boivin

Published: 13:41 December 13, 2017 Gulf News
By Syed Hamad AliSpecial to Weekend Review


TEHRAN _  In keeping with our genial and friendly conversations with the Outstanding Scholars of Philosophy (Chehreh-ye Mandegar), we intended to talk to Gholam Hossein Ebrahimi Dinani about his memoires, his school days at the Hojatieh School in Qom, his relationship and association with Toshihiko Izutsu, Henry Corbin and other outstanding philosophers. However, our interview changed direction and we talked about other issues.

By Sara Faraji / Somaye Rezaei
December 13, 2017
Teheran Times

Thursday, December 7, 2017

New from Carl Ernst

by Carl W Ernst

This collection of articles by Carl W Ernst summarizes over 30 years of research, recovering and illuminating remarkable examples of Islamic culture that have been largely overlooked, if not forgotten. It opens with reflections on teaching Islam, focusing on major themes such as Sufism, the Qur’an, the Prophet Muhammad, and Arabic literature. The importance of public scholarship and the questionable opposition between Islam and the West are also addressed. The articles that follow explore multiple facets of Sufism, the ethical and spiritual tradition that has flourished in Muslim societies for over a thousand years. The cumulative effect is to move away from static Orientalist depictions of Sufism and Islam through a series of vivid and creative case studies.

Carl W. Ernst is a specialist in Islamic studies, with a focus on West and South Asia. His published research, based on the study of Arabic, Persian, and Urdu, has been mainly devoted to the study of three areas: general and critical issues of Islamic studies, premodern and contemporary Sufism, and Indo-Muslim culture. He has received research fellowships from the Fulbright program, the National Endowment for the Humanities, and the John Simon Guggenheim Foundation, and he has been elected a Fellow of the American Academy of Arts and Sciences. His publications, which have received several international awards, include Rethinking Islamic Studies: From Orientalism to Cosmopolitanism (co-edited with Richard Martin, 2010); Following Muhammad: Rethinking Islam in the Contemporary World (2003); and Teachings of Sufism (1999).

He is the William R. Kenan, Jr., Distinguished Professor (2005- ) and Co-Director of the Carolina Center for the Study of the Middle East and Muslim Civilizations. He and Bruce Lawrence are co-editors of the Islamic Civilization and Muslim Networks Series at the University of North Carolina Press.

Monday, December 4, 2017

Important New Book!

Be sure to read part of the final chapter via the Look Inside option on amazon.

Thick and Dazzling Darkness
Religious Poetry in a Secular Age

Peter O'Leary

How do poets use language to render the transcendent, often dizzyingly inexpressible nature of the divine? In an age of secularism, does spirituality have a place in modern American poetry? In Thick and Dazzling Darkness, Peter O’Leary reads a diverse set of writers to argue for the existence and importance of religious poetry in twentieth- and twenty-first-century American literature. He traces a poetic genealogy that begins with Whitman and Dickinson and continues in the work of contemporary writers to illuminate an often obscured but still central spiritual impulse that has shaped the production and imagination of American poetry.

O’Leary presents close and comprehensive readings of the modernist, late-modernist, and postmodern poets Robinson Jeffers, Frank Samperi, and Robert Duncan, as well as the contemporary poets Joseph Donahue, Geoffrey Hill, Fanny Howe, Nathaniel Mackey, Pam Rehm, and Lissa Wolsak. Examining how these poets drew on a variety of traditions, including Catholicism, Gnosticism, the Kabbalah, and mysticism, the book considers how modern and contemporary poets have articulated the spiritual in their work. O’Leary also argues that an anxiety of misunderstanding exists in the study and writing of poetry between secular and religious impulses and that the religious nature of poets’ works is too often marginalized or misunderstood. Examining the works of a specific poet in each chapter, O’Leary reveals their complexity and offers a defense of the value and meaning of religious poetry against the grain of a secular society.

Peter O’Leary is the author of Gnostic Contagion: Robert Duncan and the Poetry of Illness (2002), as well as several books of poetry, most recently The Sampo (2016), and he is the editor of a new edition of Ronald Johnson’s ARK (2013). He teaches at the School of the Art Institute of Chicago and the University of Chicago.