"...the Imagination (or love, or sympathy, or any other sentiment) induces knowledge, and knowledge of an 'object' which is proper to it..."
Henry Corbin (1903-1978) was a scholar, philosopher and theologian. He was a champion of the transformative power of the Imagination and of the transcendent reality of the individual in a world threatened by totalitarianisms of all kinds. One of the 20th century’s most prolific scholars of Islamic mysticism, Corbin was Professor of Islam & Islamic Philosophy at the Sorbonne in Paris and at the University of Teheran. He was a major figure at the Eranos Conferences in Switzerland. He introduced the concept of the mundus imaginalis into contemporary thought. His work has provided a foundation for archetypal psychology as developed by James Hillman and influenced countless poets and artists worldwide. But Corbin’s central project was to provide a framework for understanding the unity of the religions of the Book: Judaism, Christianity and Islam. His great work Alone with the Alone: Creative Imagination in the Sufism of Ibn ‘Arabi is a classic initiatory text of visionary spirituality that transcends the tragic divisions among the three great monotheisms. Corbin’s life was devoted to the struggle to free the religious imagination from fundamentalisms of every kind. His work marks a watershed in our understanding of the religions of the West and makes a profound contribution to the study of the place of the imagination in human life.

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Wednesday, February 25, 2009

Shah Abbas & the Remaking of Iran At The British Museum

Shah 'Abbas: The Remaking of Iran
In association with The Iran Heritage Foundation
19 February – 14 June 2009

In February 2009, the British Museum will open the first major exhibition to explore the rule and legacy of Shah ʿAbbas, one of the formative figures in the creation of modern Iran. Shah of Iran from 1587 – 1629 AD, he is remembered as one of the country’s most influential kings and a great military leader, ruling Iran at a time of political renewal, when it succeeded in positioning itself as a world power with a sharply defined national identity.

Shah ʿAbbas came to the throne in 1587, the fifth ruler of the Safavid Dynasty. Through trade, patronage and diplomacy Shah ʿAbbas fostered good relations with Europe and ushered in a golden period in the arts, commissioning beautiful works of art and grand architecture. He was a great builder and restorer of major monuments across the country and this architectural legacy will provide the context in which to explore the themes of his reign. The exhibition will feature luxurious gold-ground carpets, exquisite Chinese porcelains, illustrated manuscripts, watercolour paintings, metalwork and beautiful silks, objects similar to those Shah ʿAbbas gave to important religious sites across Iran. The famous calligrapher Ali Riza ʿAbbasi was a key figure throughout Shah ʿAbbas’s reign and examples of his work will feature prominently in the exhibition.

Shah ʿAbbas was a man with a strong sense of personal piety; though Shiism was declared the state religion of Iran in 1501, it was Shah ʿAbbas who consolidated its preeminence through the rule of law and the suppression of heterodox Shi'i sects and extremist dervish orders. The clerics in the circle of Shah ʿAbbas established the parameters of Shi'i orthodoxy and in so doing strengthened the role of the religious elite throughout Iran.

In association with The Iran Heritage Foundation, the exhibition will feature extraordinary loans, never before seen outside of Iran, alongside loans from Europe and the US. The exhibition is the third in a series examining empire and power in different parts of the globe and follows exhibitions on the First Emperor of China and the Roman emperor Hadrian.

"Shah ʿAbbas was restless, decisive, ruthless and intelligent. This exhibition will provide a rare opportunity to learn about this important ruler. Shah ʿAbbas was a critical figure in the development of Iran and his legacy is still with us today." Sheila Canby, curator of the exhibition

Details and Video HERE.

Shah 'Abbas and cup bearer, 1638, Safavid period
Ink and color on paper
H: 12.4 W: 9.0 cm
Probably Isfahan, Iran
Purchase, F1953.27 Freer & Sackler Galleries.

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