"...the Imagination (or love, or sympathy, or any other sentiment) induces knowledge, and knowledge of an 'object' which is proper to it..."
Henry Corbin (1903-1978) was a scholar, philosopher and theologian. He was a champion of the transformative power of the Imagination and of the transcendent reality of the individual in a world threatened by totalitarianisms of all kinds. One of the 20th century’s most prolific scholars of Islamic mysticism, Corbin was Professor of Islam & Islamic Philosophy at the Sorbonne in Paris and at the University of Teheran. He was a major figure at the Eranos Conferences in Switzerland. He introduced the concept of the mundus imaginalis into contemporary thought. His work has provided a foundation for archetypal psychology as developed by James Hillman and influenced countless poets and artists worldwide. But Corbin’s central project was to provide a framework for understanding the unity of the religions of the Book: Judaism, Christianity and Islam. His great work Alone with the Alone: Creative Imagination in the Sufism of Ibn ‘Arabi is a classic initiatory text of visionary spirituality that transcends the tragic divisions among the three great monotheisms. Corbin’s life was devoted to the struggle to free the religious imagination from fundamentalisms of every kind. His work marks a watershed in our understanding of the religions of the West and makes a profound contribution to the study of the place of the imagination in human life.Search The Legacy of Henry Corbin: Over 800 Posts
Thursday, March 26, 2009
Notes on Corbin's Shadow - Part 3
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In After Prophecy I discussed his docetism at some length, and I repeat some of the points here:
"I want to talk about one constellation of problems inevitably associated with Docetism that was largely responsible for its rejection by what became the orthodox Church in the first centuries after Christ. If the doctrine of the Incarnation is abandoned, how does this change the meaning of human embodiment, and of history? To present the thrust of the orthodox complaint as I understand it I can do no better than to quote from Olivier Clément’s summary critique of Monophysitism. Corbin suggests that a pure Monophysitism fully expresses the tendency towards volatilization that Docetism as a whole displays. Mono-physite means “one nature” – that is to say that Christ had only one nature, so that his humanity is absorbed fully into the divine. The fundamental idea, according to Clément,
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A grasp of these criticisms is important for understanding the position Corbin defends. Even in his most Manichean and “gnostic” pronouncements Corbin is not guilty of these charges. There are those whose idea of spirituality is in fact irresponsible, quietistic and magical. Often what passes for “New Age” religion is other-worldly in this sense, as is often the case with the popularized Western versions of Eastern religions. This is a danger that a docetic Christology must guard against. A religion that degenerates into escapism has succumbed to denial and fantasy, and can have no understanding of the Creative Imagination that makes it possible for us to perceive the light at the heart of creation. Authentic mystic vision is rare, and it is neither escapism nor denial." (from After Prophecy).
In this post on Corbin's "shadow" I want to emphasize the risks of Corbin's mysticism. For he was a mystic, and I have long found that his writings generate a very strong pull towards transcendence. I have argued that to understand him in wholly a mystical and disembodied way is a mistake and a misunderstanding. But there is no denying that he was, in alchemical terms, a sublimatio type, and he does tend to drag his readers off to heaven prematurely. But it seems to me that this powerful dissolving and sublimating energy can be used, not to dis-embody and dis-empower by generating a passive pseudo-spirituality, but to help us re-imagine embodiment itself and undo the monolithic and literalized imagination of bodies that modern science and medicine tend to propagate. The thrust of Corbin's work is everywhere to unfetter and to pluralize, to release the Imagination of the divine in each of us, each in our own unique and en-souled way. If we understand his re-working of the idea of the Incarnation in this way, then what we will find is a theological imagining of the possibility of a multiplicity of kinds of embodiment - as some post-modern Christian theologians have recently argued.
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The Transfiguration, Fra Angelico, 1440-1. Convent of San Marco, Florence.
The Transfiguration, Cornelis Monsma, 2006.
Kissing, Alex Grey, 1983.
Mark Rothko. No. 2/No.30[?] (Yellow Center), 1954. Tehran Museum of Contemporary Art, Iran
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