"...the Imagination (or love, or sympathy, or any other sentiment) induces knowledge, and knowledge of an 'object' which is proper to it..."Henry Corbin (1903-1978) was a scholar, philosopher and theologian. He was a champion of the transformative power of the Imagination and of the transcendent reality of the individual in a world threatened by totalitarianisms of all kinds. One of the 20th century’s most prolific scholars of Islamic mysticism, Corbin was Professor of Islam & Islamic Philosophy at the Sorbonne in Paris and at the University of Teheran. He was a major figure at the Eranos Conferences in Switzerland. He introduced the concept of the mundus imaginalis into contemporary thought. His work has provided a foundation for archetypal psychology as developed by James Hillman and influenced countless poets and artists worldwide. But Corbin’s central project was to provide a framework for understanding the unity of the religions of the Book: Judaism, Christianity and Islam. His great work Alone with the Alone: Creative Imagination in the Sufism of Ibn ‘Arabi is a classic initiatory text of visionary spirituality that transcends the tragic divisions among the three great monotheisms. Corbin’s life was devoted to the struggle to free the religious imagination from fundamentalisms of every kind. His work marks a watershed in our understanding of the religions of the West and makes a profound contribution to the study of the place of the imagination in human life.
Saturday, December 4, 2010
the music of silence - descends to visibility
Jerome Rothenberg has posted his introduction to Murat Nemet-Nejat's forthcoming book The Spiritual Life of Replicants. (excerpt here) He begins,
"The poem The Spiritual Life of Replicants is infused with Sufi ideas, and this infusion results in a poetry which consists of movements of thought in a visual field. The reader experiences the movements as he or she is ensnared by them reading the poem. The thought patterns are arabesque, circuitous, tangential, reflecting the Sufi sense that reality is not stared at directly; but it can only be touched, glimpsed at reflectively, as fragments, the way, for instance, the reality of the wind can be seen (or heard) in the traces it leaves on the movements of branches. In this way the infinite - the invisible, the music of silence - descends to visibility." READ THE ENTIRE PIECE
Posted by Tom Cheetham at 12:01 AM