"...the Imagination (or love, or sympathy, or any other sentiment) induces knowledge, and knowledge of an 'object' which is proper to it..."Henry Corbin (1903-1978) was a scholar, philosopher and theologian. He was a champion of the transformative power of the Imagination and of the transcendent reality of the individual in a world threatened by totalitarianisms of all kinds. One of the 20th century’s most prolific scholars of Islamic mysticism, Corbin was Professor of Islam & Islamic Philosophy at the Sorbonne in Paris and at the University of Teheran. He was a major figure at the Eranos Conferences in Switzerland. He introduced the concept of the mundus imaginalis into contemporary thought. His work has provided a foundation for archetypal psychology as developed by James Hillman and influenced countless poets and artists worldwide. But Corbin’s central project was to provide a framework for understanding the unity of the religions of the Book: Judaism, Christianity and Islam. His great work Alone with the Alone: Creative Imagination in the Sufism of Ibn ‘Arabi is a classic initiatory text of visionary spirituality that transcends the tragic divisions among the three great monotheisms. Corbin’s life was devoted to the struggle to free the religious imagination from fundamentalisms of every kind. His work marks a watershed in our understanding of the religions of the West and makes a profound contribution to the study of the place of the imagination in human life.
Friday, March 4, 2016
An Acoustic Museum of Byzantine Sound
by Allison Meier in Hyperallergic
The sonic intentions of architecture are often lost over the centuries. In 2014, a team of researchers investigated the acoustics of Byzantine churches in Thessaloniki, Greece, to retrieve some of that design through sound mapping.
On an episode released last month of the podcast Escape Velocity, created by the University of Southern California (USC) Viterbi School of Engineering, Sharon Gerstel, an art history professor at the University of California, Los Angeles (UCLA), explained why she became involved in this acoustic archaeology:
"For me as an art historian, I was interested in the perception of sound and how that perception was informed by the setting. When you walk into these buildings, they’re cooler than the outside temperature, they smell different on the inside because they’ve had incense in them burned for centuries, so there’s the palpable change in the atmosphere. They’re dark on the inside and you see the painted figures looming from all sides of the building, looking at you." go to the article with audio files linked.
Posted by Tom Cheetham at 10:29 AM