"...the Imagination (or love, or sympathy, or any other sentiment) induces knowledge, and knowledge of an 'object' which is proper to it..."
Henry Corbin (1903-1978) was a scholar, philosopher and theologian. He was a champion of the transformative power of the Imagination and of the transcendent reality of the individual in a world threatened by totalitarianisms of all kinds. One of the 20th century’s most prolific scholars of Islamic mysticism, Corbin was Professor of Islam & Islamic Philosophy at the Sorbonne in Paris and at the University of Teheran. He was a major figure at the Eranos Conferences in Switzerland. He introduced the concept of the mundus imaginalis into contemporary thought. His work has provided a foundation for archetypal psychology as developed by James Hillman and influenced countless poets and artists worldwide. But Corbin’s central project was to provide a framework for understanding the unity of the religions of the Book: Judaism, Christianity and Islam. His great work Alone with the Alone: Creative Imagination in the Sufism of Ibn ‘Arabi is a classic initiatory text of visionary spirituality that transcends the tragic divisions among the three great monotheisms. Corbin’s life was devoted to the struggle to free the religious imagination from fundamentalisms of every kind. His work marks a watershed in our understanding of the religions of the West and makes a profound contribution to the study of the place of the imagination in human life.Search The Legacy of Henry Corbin: Over 800 Posts
Friday, February 3, 2017
Imaginal Love
If a butterfly in Brazil can change the weather of the Americas and by extension the world (and even if it cannot), the great hope animating this fine book is that the sheer beauty of thought can transform the beleaguered weather of our human conditon. Such courage is exemplary and inspiring. And real. In addition, the reader of Imaginal Love will get a clear picture of the profound and productive, yet complex, relation between Hillman and Corbin and gain an appreciation for the latter’s influence on the more purely artistic milieux of the later 20th century North American scene. Beautifully written, Cheetham's book gives us a taste for the sacramental value of metaphor and therefore transformation: a splendid reading experience. - Todd Lawson, Professor Emeritus of Islamic Studies, University of Toronto
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