"...the Imagination (or love, or sympathy, or any other sentiment) induces knowledge, and knowledge of an 'object' which is proper to it..."
Henry Corbin (1903-1978) was a scholar, philosopher and theologian. He was a champion of the transformative power of the Imagination and of the transcendent reality of the individual in a world threatened by totalitarianisms of all kinds. One of the 20th century’s most prolific scholars of Islamic mysticism, Corbin was Professor of Islam & Islamic Philosophy at the Sorbonne in Paris and at the University of Teheran. He was a major figure at the Eranos Conferences in Switzerland. He introduced the concept of the mundus imaginalis into contemporary thought. His work has provided a foundation for archetypal psychology as developed by James Hillman and influenced countless poets and artists worldwide. But Corbin’s central project was to provide a framework for understanding the unity of the religions of the Book: Judaism, Christianity and Islam. His great work Alone with the Alone: Creative Imagination in the Sufism of Ibn ‘Arabi is a classic initiatory text of visionary spirituality that transcends the tragic divisions among the three great monotheisms. Corbin’s life was devoted to the struggle to free the religious imagination from fundamentalisms of every kind. His work marks a watershed in our understanding of the religions of the West and makes a profound contribution to the study of the place of the imagination in human life.
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Thursday, July 12, 2012
Corbin's place in "Philosophical Space"
Having once worked in a very minor capacity in complex systems theory I can't resist the attraction of this kind of visualization. Simon Raper has done a wikipedia-based graphic of philosophical influences - see his blog entry here. Henry Corbin appears at the upper left in the graph below - which you will need to access from the blog to see the expandable version. The basic idea is this:
"Each philosopher is a node in the network and the lines between them (or edges in the terminology of graph theory) represents lines of influence. The node and text are sized according to the number of connections (both in and out). The algorithm that visualises the graph also tends to put the better connected nodes in the centre of the diagram so we see the most influential philosophers, in large text, clustered in the centre."